Well boys and girls, the semester is upon us, and sadly I must discontinue The Movie News That Matters, but I will leave you with one last piece of info.
The best movie of last year was not "The Hurt Locker", or even the wildly popular "Avatar", It was not the heart turning "Precious" or the intellectual "District 9." No people the best movie of the year by far was . . . . .
INGLORIOUS BASTERDS!
How the academy could snub Tarantino again is beyond me, is it because their was a women, a blockbuster, and an Indie film staring African-Americans all running against it. The answer is all of the above.
"Basterds" was intellectual, cimematographicly perfect, and above all, well acted by all. you felt as if you were watching the story unflod before your eyes no matter how long the dialogue ran on. It was visually beautiful and sounded as if you were in France in 1942.
The Academy is political and always will be, do not let them fool you into thinking what they tell you is correct, because history as taught they are not always right, and seldom will they be. Seek out little watched movies, and Indie films. Find little known actors and follow them, I promise you that you will see once in a lifetime performances and much better stories than you will have ever expected.
On that note everyone have a great summer and be safe.
Yours truly! The One, The Only! CMFK
Thursday, April 15, 2010
Big News Again from Superheroville!

So, admittedly I am a nerd. And this is turning into a superhero clog fast, but I could not miss passing along this information to you guys, Make sure you stay after the credits for Iron Man 2:
Marvel’s grand plan to connect their superhero franchises together may start moving at a full-tilt sooner than expected. Remember that after the credits scene in the first Iron Man in which Sam Jackson showed up as Nick Fury to tease the possibility of a superhero team-up? Word is Marvel may have something similar in mind for Iron Man 2, only this time the character cameos will be Thor and Captain America.
The rumor comes from Italian site Bad Taste where they say Captain America and Thor will show up in Iron Man 2 after credits and it may also be the first time the “Avengers” are referenced by name in a Marvel film. We already know from the Iron Man 2 trailers that Sam Jackson’s Nick Fury plays a prominent role in the sequel, and Fury should be at least partially responsible for putting the Avengers team together. Maybe he’s even roped Tony Stark into recruiting, resulting in an after the credits scene in which Stark tries to hire Captain America and Thor for Fury’s superhero team-up,,. but that's just a theory.
Chronologically, this seems kind of confusing. If the events in Iron Man 2 happen before the events of the upcoming Thor movie, then it wouldn’t make sense for Tony Stark to talk about an Avengers team-up with a character who hasn’t had his origin story yet. Thor should be nobody to Tony, at least not until after the Thor movie (due to be released in 2011). This could be solved by setting the events in Iron Man 2 after those in Thor. Just because the movie’s coming out first doesn’t mean the timeline has to work linearly, of course. Except a few weeks ago everyone seemed pretty certain that this scene from Iron Man 2 contained a cameo from Thor, a Thor before he became the superhero he’ll become.
All the pieces aren’t quite fitting together here but one thing’s for certain: I’ll be sticking around after the Iron Man 2 credits.
Big New From Superheroville! !
While I'm not excited as of right now for Chris Evans to be playing the beloved Captain America, he is. So I'll keep an open mind, I just believe once you are a super hero in any movie, Evans is the Flame, you should be only that character, forever. Here is Joe Johnston explaining his pick:
Presumably Joe Johnston is losing his mind in preparation to start filming First Avenger: Captain America, now that he's actually managed to bring Chris Evans on board to play the title role. So it's beyond me how Ed Gross, of the fansite Earth's Mightiest, managed to snag an interview with the guy, but it happened, and he's not just explaining how they brought Evans on board, but how they'll portray him both as "98-pound weakling Steve Rogers" and the bulky and heroic Cap.
"I can't divulge how we're going to do it, but the performance will be Chris Evans from beginning to end. An actor playing Captain America has to embody that backstory and let it inform his understanding of his new self."
As for casting Evans, it pretty much happened exactly as we guessed-- he wasn't part of that drawn-out casting process at all, but was brought in based on his previous work:
Chris didn't audition at all. I was already familiar with everything he'd done and was championing his cause, not that I had a fight from the Marvel team. They were fans of his as well. He came in to the art department to say hi, saw all the jaw-dropping art and designs on the wall and reacted the way I'd hoped he would. It was really his wonderful enthusiasm for everything he saw that cinched the deal. We have some of the best designers and illustrators in the industry working for us and the art is just incredible to wander through. He will bring the perfect balance of dramatic performance and physicality to the role.
What's most interesting about this article isn't his gushing over Chris Evans-- that's generally what you do when a movie star signs on to your superhero movie-- but his promise that Evans will play Cap through all his iterations, and that they "can't divulge" how it will happen. Given recent news that the Green Lantern's costume may be entirely CGI, pretty much anything seems possible. Are we going to see some Benjamin Button technology to digitally add and remove rippling pecs from Evans' body?
Anyone else still confused?
Presumably Joe Johnston is losing his mind in preparation to start filming First Avenger: Captain America, now that he's actually managed to bring Chris Evans on board to play the title role. So it's beyond me how Ed Gross, of the fansite Earth's Mightiest, managed to snag an interview with the guy, but it happened, and he's not just explaining how they brought Evans on board, but how they'll portray him both as "98-pound weakling Steve Rogers" and the bulky and heroic Cap.
"I can't divulge how we're going to do it, but the performance will be Chris Evans from beginning to end. An actor playing Captain America has to embody that backstory and let it inform his understanding of his new self."
As for casting Evans, it pretty much happened exactly as we guessed-- he wasn't part of that drawn-out casting process at all, but was brought in based on his previous work:
Chris didn't audition at all. I was already familiar with everything he'd done and was championing his cause, not that I had a fight from the Marvel team. They were fans of his as well. He came in to the art department to say hi, saw all the jaw-dropping art and designs on the wall and reacted the way I'd hoped he would. It was really his wonderful enthusiasm for everything he saw that cinched the deal. We have some of the best designers and illustrators in the industry working for us and the art is just incredible to wander through. He will bring the perfect balance of dramatic performance and physicality to the role.
What's most interesting about this article isn't his gushing over Chris Evans-- that's generally what you do when a movie star signs on to your superhero movie-- but his promise that Evans will play Cap through all his iterations, and that they "can't divulge" how it will happen. Given recent news that the Green Lantern's costume may be entirely CGI, pretty much anything seems possible. Are we going to see some Benjamin Button technology to digitally add and remove rippling pecs from Evans' body?
Anyone else still confused?
Who here isn't excited! ? ! ?
OOPS!
Due to a clerical error on my part I have been posting my blogs on my last semester blog page. Sorry all.
So here comes the copy and pasting.
But first let me tell you the movie that I disliked the most this year.
And that movie is "Alice in Wonderland", that's right, everyones beloved Tim Burton and Johny Depp ruin another American classic. I personally believe they should not be able to make another movie together, especially a remake. But such is such, while it was visually impressive, I was in no way shape or for impressed by anything other than that. The story was shallow, and the acting as well. But of course, it made hundreds of millions of dollars.
And that is that.
Yours truly Chris King.
So here comes the copy and pasting.
But first let me tell you the movie that I disliked the most this year.
And that movie is "Alice in Wonderland", that's right, everyones beloved Tim Burton and Johny Depp ruin another American classic. I personally believe they should not be able to make another movie together, especially a remake. But such is such, while it was visually impressive, I was in no way shape or for impressed by anything other than that. The story was shallow, and the acting as well. But of course, it made hundreds of millions of dollars.
And that is that.
Yours truly Chris King.
Thursday, March 4, 2010
Freaking Awsomeness
I feel as if this news is to amazing to not inform all of you about, just follow the link:
http://www.cinemablend.com/new/Admiral-Ackbar-May-Be-The-New-Ole-Miss-Mascot-17242.html

Also, tonight is Alice in Wonderland midnight movie. Let's see if Depp and Burton can butcher another American classic. Check back tomorrow for more details.
One last piece of information, it is about time that the Academy Awards recognize a sci-fi film again. This has not been done since Star Wars in the '70's, but they snubbed it's bigger-better brother The Empire Strikes Back was snubbed all together. But this year they finally pulled it out and put District 9 into the mix.
For anyone who did not see District 9, this film broke down the genre barrier for an action/sci-fi film and was shot in a truly unique way for this unique story. The acting is above average, and it is a believable story that brings back memories of aparthide in South Africa.
This movie is certainly a dark horse in the best picture category, but it is one step closer to recognizing a film genre that has been missing from the academy for thirty years.
http://www.cinemablend.com/new/Admiral-Ackbar-May-Be-The-New-Ole-Miss-Mascot-17242.html

Also, tonight is Alice in Wonderland midnight movie. Let's see if Depp and Burton can butcher another American classic. Check back tomorrow for more details.
One last piece of information, it is about time that the Academy Awards recognize a sci-fi film again. This has not been done since Star Wars in the '70's, but they snubbed it's bigger-better brother The Empire Strikes Back was snubbed all together. But this year they finally pulled it out and put District 9 into the mix.
For anyone who did not see District 9, this film broke down the genre barrier for an action/sci-fi film and was shot in a truly unique way for this unique story. The acting is above average, and it is a believable story that brings back memories of aparthide in South Africa.
This movie is certainly a dark horse in the best picture category, but it is one step closer to recognizing a film genre that has been missing from the academy for thirty years.
Thursday, February 11, 2010
Chris King's Amazing Movie Picks!
If you have not seen them, there are three movies every person should be forced to watch.
1. Gran Torino
2. The Wrestler
3. In The Mood For Love
These are the absolute best pieces of film I can muster up this week, the acting is a little rough in Gran Torino, but Clint Eastwood's performance alone makes it worth it by far.
1. Gran Torino
2. The Wrestler
3. In The Mood For Love
These are the absolute best pieces of film I can muster up this week, the acting is a little rough in Gran Torino, but Clint Eastwood's performance alone makes it worth it by far.
Thursday, February 4, 2010
New releases and Recommendations
Remember people, January and February are where movie companies send movies to die! Don't expect to much!
On that note I will be staying home for the next few weeks and enjoying some excellent films, basically everything that was just nominated for an Academy Award!
Here is the full list. I will be taking all comers on some bets for these!
BEST PICTURE
Avatar
The Blind Side
District 9
An Education
The Hurt Locker
Inglourious Basterds
Precious
A Serious Man
Up
Up in the Air
BEST DIRECTOR
Kathryn Bigelow, The Hurt Locker
James Cameron, Avatar
Quentin Tarantino, Inglourious Basterds
Lee Daniels, Precious
Jason Reitman, Up in the Air
BEST ACTOR
Jeff Bridges, Crazy Heart
George Clooney, Up in the Air
Colin Firth, A Single Man
Morgan Freeman, Invictus
Jeremy Renner, The Hurt Locker
BEST ACTRESS
Sandra Bullock, The Blind Side
Helen Mirren, The Last Station
Carey Mulligan, An Education
Gabourey Sidibe, Precious
Meryl Streep, Julie & Julia
BEST SUPPORTING ACTOR
Matt Damon, Invictus
Woody Harrelson, The Messenger
Christopher Plummer, The Last Station
Stanley Tucci, The Lovely Bones
Christoph Waltz, Inglourious Basterds
BEST SUPPORTING ACTRESS
Penelope Cruz, Nine
Vera Farmiga, Up in the Air
Maggie Gyllenhaal, Crazy Heart
Anna Kendrick, Up in the Air
Mo'nique, Precious
BEST ORIGINAL SCREENPLAY
Mark Boal, The Hurt Locker
Quentino Tarantino, Inglourious Basterds
Alessandro Camon & Oren Moverman, The Messenger
Joel & Ethan Coen, A Serious Man
Peter Docter, Bob Peterson, Tom McCarthy, Up
BEST ADAPTED SCREENPLAY
Neill Blomkamp & Terri Tatchell, District 9
Nick Hornby, An Education
Jesse Armstrong, Simon Blackwell, Armando Iannucci & Tony Roche, In The Loop
Geoffrey Fletcher, Precious
Jason Reitman & Sheldon Turner, Up in the Air
BEST FOREIGN LANGUAGE FILM
Ajami, Israel
El Secretro de sus Ojo, Argentina
The Milk of Sorrow, Peru
Un Prophete, France
The White Ribbon, Germany
BEST ANIMATED FEATURE
Coraline
Fantastic Mr. Fox
Princess and the Frog
The Secrets of Kells
Up
ART DIRECTION
“Avatar” Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
“The Imaginarium of Doctor Parnassus” Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
“Nine” Art Direction: John Myhre; Set Decoration: Gordon Sim
“Sherlock Holmes” Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
“The Young Victoria” Art Direction: Patrice Vermette; Set Decoration: Maggie Gray
CINEMATOGRAPHY
"Avatar” Mauro Fiore
“Harry Potter and the Half-Blood Prince” Bruno Delbonnel
“The Hurt Locker” Barry Ackroyd
“Inglourious Basterds” Robert Richardson
“The White Ribbon” Christian Berger
COSTUME DESIGN
“Bright Star” Janet Patterson
“Coco before Chanel” Catherine Leterrier
“The Imaginarium of Doctor Parnassus” Monique Prudhomme
“Nine” Colleen Atwood
“The Young Victoria” Sandy Powell
DOCUMENTARY FEATURE
“Burma VJ” Anders Østergaard and Lise Lense-Møller
"The Cove” Nominees to be determined
“Food, Inc.” Robert Kenner and Elise Pearlstein
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers” Judith Ehrlich and Rick Goldsmith
“Which Way Home” Rebecca Cammisa
DOCUMENTARY SHORT
“China’s Unnatural Disaster: The Tears of Sichuan Province” Jon Alpert and Matthew O’Neill
“The Last Campaign of Governor Booth Gardner” Daniel Junge and Henry Ansbacher
“The Last Truck: Closing of a GM Plant” Steven Bognar and Julia Reichert
“Music by Prudence” Roger Ross Williams and Elinor Burkett
“Rabbit à la Berlin” Bartek Konopka and Anna Wydra
FILM EDITING
“Avatar” Stephen Rivkin, John Refoua and James Cameron
“District 9” Julian Clarke
“The Hurt Locker” Bob Murawski and Chris Innis
“Inglourious Basterds” Sally Menke
“Precious: Based on the Novel ‘Push’ by Sapphire” Joe Klotz
MAKEUP
“Il Divo” Aldo Signoretti and Vittorio Sodano
"Star Trek” Barney Burman, Mindy Hall and Joel Harlow
“The Young Victoria” Jon Henry Gordon and Jenny Shircore
ORIGINAL SCORE
“Avatar” James Horner
“Fantastic Mr. Fox” Alexandre Desplat
“The Hurt Locker” Marco Beltrami and Buck Sanders
“Sherlock Holmes” Hans Zimmer
“Up” Michael Giacchino
ORIGINAL SONG
“Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
“Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
“Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
“Take It All” from “Nine” Music and Lyric by Maury Yeston
“The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett
ANIMATED SHORT
“French Roast” Fabrice O. Joubert
“Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
“The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
“Logorama” Nicolas Schmerkin
“A Matter of Loaf and Death” Nick Park
LIVE ACTION SHORT
“The Door” Juanita Wilson and James Flynn
“Instead of Abracadabra” Patrik Eklund and Mathias Fjellström
“Kavi” Gregg Helvey
“Miracle Fish” Luke Doolan and Drew Bailey
“The New Tenants” Joachim Back and Tivi Magnusson
SOUND EDITING
“Avatar” Christopher Boyes and Gwendolyn Yates Whittle
“The Hurt Locker” Paul N.J. Ottosson
“Inglourious Basterds” Wylie Stateman
“Star Trek” Mark Stoeckinger and Alan Rankin
“Up” Michael Silvers and Tom Myers
SOUND MIXING
“Avatar” Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
"The Hurt Locker” Paul N.J. Ottosson and Ray Beckett
“Inglourious Basterds” Michael Minkler, Tony Lamberti and Mark Ulano
“Star Trek” Anna Behlmer, Andy Nelson and Peter J. Devlin
“Transformers: Revenge of the Fallen” Greg P. Russell, Gary Summers and Geoffrey Patterson
VISUAL EFFECTS
“Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
“District 9” Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
“Star Trek” Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
On that note I will be staying home for the next few weeks and enjoying some excellent films, basically everything that was just nominated for an Academy Award!
Here is the full list. I will be taking all comers on some bets for these!
BEST PICTURE
Avatar
The Blind Side
District 9
An Education
The Hurt Locker
Inglourious Basterds
Precious
A Serious Man
Up
Up in the Air
BEST DIRECTOR
Kathryn Bigelow, The Hurt Locker
James Cameron, Avatar
Quentin Tarantino, Inglourious Basterds
Lee Daniels, Precious
Jason Reitman, Up in the Air
BEST ACTOR
Jeff Bridges, Crazy Heart
George Clooney, Up in the Air
Colin Firth, A Single Man
Morgan Freeman, Invictus
Jeremy Renner, The Hurt Locker
BEST ACTRESS
Sandra Bullock, The Blind Side
Helen Mirren, The Last Station
Carey Mulligan, An Education
Gabourey Sidibe, Precious
Meryl Streep, Julie & Julia
BEST SUPPORTING ACTOR
Matt Damon, Invictus
Woody Harrelson, The Messenger
Christopher Plummer, The Last Station
Stanley Tucci, The Lovely Bones
Christoph Waltz, Inglourious Basterds
BEST SUPPORTING ACTRESS
Penelope Cruz, Nine
Vera Farmiga, Up in the Air
Maggie Gyllenhaal, Crazy Heart
Anna Kendrick, Up in the Air
Mo'nique, Precious
BEST ORIGINAL SCREENPLAY
Mark Boal, The Hurt Locker
Quentino Tarantino, Inglourious Basterds
Alessandro Camon & Oren Moverman, The Messenger
Joel & Ethan Coen, A Serious Man
Peter Docter, Bob Peterson, Tom McCarthy, Up
BEST ADAPTED SCREENPLAY
Neill Blomkamp & Terri Tatchell, District 9
Nick Hornby, An Education
Jesse Armstrong, Simon Blackwell, Armando Iannucci & Tony Roche, In The Loop
Geoffrey Fletcher, Precious
Jason Reitman & Sheldon Turner, Up in the Air
BEST FOREIGN LANGUAGE FILM
Ajami, Israel
El Secretro de sus Ojo, Argentina
The Milk of Sorrow, Peru
Un Prophete, France
The White Ribbon, Germany
BEST ANIMATED FEATURE
Coraline
Fantastic Mr. Fox
Princess and the Frog
The Secrets of Kells
Up
ART DIRECTION
“Avatar” Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
“The Imaginarium of Doctor Parnassus” Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
“Nine” Art Direction: John Myhre; Set Decoration: Gordon Sim
“Sherlock Holmes” Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
“The Young Victoria” Art Direction: Patrice Vermette; Set Decoration: Maggie Gray
CINEMATOGRAPHY
"Avatar” Mauro Fiore
“Harry Potter and the Half-Blood Prince” Bruno Delbonnel
“The Hurt Locker” Barry Ackroyd
“Inglourious Basterds” Robert Richardson
“The White Ribbon” Christian Berger
COSTUME DESIGN
“Bright Star” Janet Patterson
“Coco before Chanel” Catherine Leterrier
“The Imaginarium of Doctor Parnassus” Monique Prudhomme
“Nine” Colleen Atwood
“The Young Victoria” Sandy Powell
DOCUMENTARY FEATURE
“Burma VJ” Anders Østergaard and Lise Lense-Møller
"The Cove” Nominees to be determined
“Food, Inc.” Robert Kenner and Elise Pearlstein
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers” Judith Ehrlich and Rick Goldsmith
“Which Way Home” Rebecca Cammisa
DOCUMENTARY SHORT
“China’s Unnatural Disaster: The Tears of Sichuan Province” Jon Alpert and Matthew O’Neill
“The Last Campaign of Governor Booth Gardner” Daniel Junge and Henry Ansbacher
“The Last Truck: Closing of a GM Plant” Steven Bognar and Julia Reichert
“Music by Prudence” Roger Ross Williams and Elinor Burkett
“Rabbit à la Berlin” Bartek Konopka and Anna Wydra
FILM EDITING
“Avatar” Stephen Rivkin, John Refoua and James Cameron
“District 9” Julian Clarke
“The Hurt Locker” Bob Murawski and Chris Innis
“Inglourious Basterds” Sally Menke
“Precious: Based on the Novel ‘Push’ by Sapphire” Joe Klotz
MAKEUP
“Il Divo” Aldo Signoretti and Vittorio Sodano
"Star Trek” Barney Burman, Mindy Hall and Joel Harlow
“The Young Victoria” Jon Henry Gordon and Jenny Shircore
ORIGINAL SCORE
“Avatar” James Horner
“Fantastic Mr. Fox” Alexandre Desplat
“The Hurt Locker” Marco Beltrami and Buck Sanders
“Sherlock Holmes” Hans Zimmer
“Up” Michael Giacchino
ORIGINAL SONG
“Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
“Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
“Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
“Take It All” from “Nine” Music and Lyric by Maury Yeston
“The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett
ANIMATED SHORT
“French Roast” Fabrice O. Joubert
“Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
“The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
“Logorama” Nicolas Schmerkin
“A Matter of Loaf and Death” Nick Park
LIVE ACTION SHORT
“The Door” Juanita Wilson and James Flynn
“Instead of Abracadabra” Patrik Eklund and Mathias Fjellström
“Kavi” Gregg Helvey
“Miracle Fish” Luke Doolan and Drew Bailey
“The New Tenants” Joachim Back and Tivi Magnusson
SOUND EDITING
“Avatar” Christopher Boyes and Gwendolyn Yates Whittle
“The Hurt Locker” Paul N.J. Ottosson
“Inglourious Basterds” Wylie Stateman
“Star Trek” Mark Stoeckinger and Alan Rankin
“Up” Michael Silvers and Tom Myers
SOUND MIXING
“Avatar” Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
"The Hurt Locker” Paul N.J. Ottosson and Ray Beckett
“Inglourious Basterds” Michael Minkler, Tony Lamberti and Mark Ulano
“Star Trek” Anna Behlmer, Andy Nelson and Peter J. Devlin
“Transformers: Revenge of the Fallen” Greg P. Russell, Gary Summers and Geoffrey Patterson
VISUAL EFFECTS
“Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
“District 9” Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
“Star Trek” Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
Thursday, January 28, 2010
NEWS ! ! ! And a small recommendation.
Few breaking news items this week.
Zachary Quinto will not be playing Spock for at least a couple more years, this effectively halts the production of Star Trek: The Next. Which has a release date already. Truly unfortunate.
Also, "Thor" and "The Green Lantern" began principal photography this week. Bringing us one step closer the "Avengers" Film.
And now for the recommendation. Anyone who has not seen "Brick" should probably take the time to do so. It was a Sundance film several years ago, and is an updated take on a film noir. It has a few familiar faces in it such as Joseph Gordon Levitt and Lukas Haas. It is a fantastic story and fairly raw, classic film in my opinion.
Zachary Quinto will not be playing Spock for at least a couple more years, this effectively halts the production of Star Trek: The Next. Which has a release date already. Truly unfortunate.
Also, "Thor" and "The Green Lantern" began principal photography this week. Bringing us one step closer the "Avengers" Film.
And now for the recommendation. Anyone who has not seen "Brick" should probably take the time to do so. It was a Sundance film several years ago, and is an updated take on a film noir. It has a few familiar faces in it such as Joseph Gordon Levitt and Lukas Haas. It is a fantastic story and fairly raw, classic film in my opinion.
Wednesday, January 20, 2010
Welcome!
Welcome to the wonderful world of movie news that matters! My only goal is to bring to the masses the simple news of movies I feel that matter. Along with recommendations, ideas, and rants to follow that news. I hope that I can engage at least one person, maybe several with something that they find useful, or more hopefully, entertaining! CHeck back often for wonderful theatrical adventures!
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